With its breathtaking backdrop of sea and mountains in West Norway, the 17th century manor house of Rosendal has lured guests on a remote journey across the Hardanger Fjord for more than 300 years. Today it is the setting for the Rosendal Chamber Music Festival, founded by pianist and Artistic Director Leif Ove Andsnes in 2016, who this year presents his most ambitious programme to date and welcomes more than 60 guest artists to the “small but big festival in the wilds of Norway” (El Pais).
The scene and title for the 2024 Festival is set by Bela Bartók’s Contrasts, which launches a five day exploration into the world of Hungarian music, including works by Liszt, Kodaly and Kúrtag. In direct contrast, and also central to the festival, is the music of J.S. Bach with two performances of the St John Passion featuring the Norwegian Soloists’ Choir and an orchestra of internationally renowned baroque players led by Grete Pedersen, as well as further programmes exploring Bach’s secular and chamber music works.
Additional guest artists this summer include Zlata Chochieva and Nikita Khnykin (piano), Masato Suzuki (harpsichord), Vilde Frang and Florian Donderer (violin), Antoine Tamestit (viola), Tanja Teztlaff (cello), Christian Henriksen (doublebass), Quatour Agate, Aleksander Aga Røynstrand (hardanger fiddle), Wenzel Fuchs (clarinet), Ragnhild Lothe (horn), Benedikt Kristjánsson (tenor), Ruth Wilhelmine Meyer (vocal artist and composer) and Ragnhild Gudbrandsen (actress).
Introducing the 2024 festival Leif Ove Andsnes says: “The idea for CONTRASTS, evolved out of last year’s festival where we celebrated the 100th anniversary of Ligeti’s birth and the life of Brahms, whose music includes so many Hungarian traits. It therefore felt natural to continue that line of exploration, especially as Hungarian music history is particularly potent. Few other countries have given birth to such a wide range of musical personalities, all of whom have integrated the narrative of their homeland into their works in such spectacular ways, especially when one thinks of the challenges many of these composers endured as a result of politics past and present. Their lives and times are reflected in their music – both in the virtuosity and demands of extreme expression.”
“In complete contrast, we will pay tribute to Johan Sebastian Bach. It has long been my wish to invite the Norwegian Soloists’ Choir to Rosendal and this year provides us with the perfect opportunity to celebrate the 300th anniversary of the first performance of the St John Passion. This masterpiece is as powerfully dramatic and moving today as it was in 1724 and bringing it to Rosendal – a place far removed from the world’s political stage, built around the time that Bach was born – offers us a calm space to listen and think, in sympathy with those suffering in times of conflict around the world.”
The Rosendal Chamber Music Festival extends deep thanks to the Kristian Gerhard Jebsen Foundation, whose meaningful financial support has made the festival’s ambitious artistic goals attainable.
Read more: Thank you to the team who has made the festival possible
“Ten concerts in four days in a spot of breathtaking natural beauty … This, in a nutshell, is the Rosendal Chamber Music Festival“
Matthew Gurewitsch / Classical Voice North America
"Nivået på musikerne og den kløktige utformingen av konsertprogrammene gjør denne festivalen enestående …"
Eystein Sandvik / NRK Radio
A chamber music festival rich and precious for the quality of the performers and for the depth of the themed programmes.”
Leonetta Bentivoglio / La Repubblica
“Det er lenge siden jeg har sett fram til en festival så mye som Rosendal Kammermusikkfestival.“
Magnus Andersson / Klassekampen
“This is a Utopian place for Utopian musicians.”
David Nice / The Arts Desk
“Rosendalfestivalen solgte ut alle billetene på et par dager i vinter. Oppskriften er enkel: Kammermusikalsk kjernestoff, uten sviskeappell og med et modig innslag av samtidsmusikk.”
Lars O.Flydal / Vårt Land
“The four day experience of this music festival is indescribable. With the backdrop of such wonderful scenery, the festival is somehow augmented by a deeper concentration of the theme and the high level of performance.”
Rudolf Tang / Asia Music Weekly
“Intelligent formidling og enestående musikere får den klassiske musikken til å skinne i Rosendal.“
Emil Bernhardt / Morgenbladet
"A festival that is intimate and rich in personality, idyllic and profound."
Kathrin Hasselbeck / Bayerische Rundfunk / Germany
“Mozart in paradise … Leif Ove Andsnes and a group of extraordinary musicians immersed themselves in the genius of the composer in a small but big festival in the wilds of Norway.”
Luis Gago / El Pais
“Rosendal simply must be experienced.”
Ursula Magnes / Radio Klassik / Austria
“In addition to the intelligence of its programming and the very high level of its performers, the festival benefits from what is often lacking in more upscale venues: authenticity and a truly magical atmosphere.”
Bertrand Boissard / Diapason Magazine
“Med Rosendal Kammermusikfestival har Leif Ove Andsnes satt en standard som allerede i åpningsåret har gjort den til en av landets viktigste i sitt slag. Alle skyhøye forventninger ble i høyeste grad innfridd.”
Mona Levin / Klassisk Musikk
The Rosendal Chamber Music Festival extends deep thanks to Stiftelsen Kristian Gerhard Jebsen, whose meaningful financial support has made the festival’s ambitious artistic goals attainable.